Tuesday, March 16, 2010

BBQ and Movies

Today marks the last day of the SXSW Film Festival (stay tuned for a "BBQ and Music" blog as the music portion of SXSW kicks off tomorrow), where we continued to roll out our Filmmakers Wanted campaign, launched back at Sundance, to educate filmmakers about opportunities to distribute and make money from their work on YouTube, especially through YouTube's new Rentals program.

Here's a shot of some of our handiwork for those of you who couldn't make it to Austin this year...


But for any filmmakers out there who want more than just my amateur photo of a poster, visit our Filmmakers Wanted channel for information on Rentals and how to become a partner.

As much as we've enjoyed our stay here in Austin, it's never a party unless we get to celebrate with all of you. So we've put together a kickin' collection of music documentaries to transport you to that artistic otherworld where music and film coexist in beautiful harmony (and if this virtual otherworld doesn't do it for you, try to get to Austin next year -- the BBQ's really good, too).

Below are descriptions of the films, which are available for rent, and trailers to help you decide what to watch.

Socalled is a Canadian klezmer/hip hop artist and part-time magician with millions of views on YouTube (and he also happens to be performing at tonight's SXSW Film Closing Party if you're here in Austin!). Find out what drives this eccentric rapper as he blasts through the boundaries that separate music from different cultures, eras and generations in "The Socalled Movie."

In the late 80's and early 90's, The Pixies took the indie rock world by storm until internal strife tore them apart. This rockumentary takes you behind the scenes of their 2004 reunion tour and explores some of the band's darker demons.

Winner of the Grand Jury Prize at Sundance, "DiG!" recounts the friendship and rivalry between the American rock bands The Brian Jonestown Massacre and The Dandy Warhols.

In "Air Guitar Nation," a cadre of the nation's greatest would-be guitar heroes - including C-Diddy, Jam Toast and The Shred - converge on the first-ever U.S. Air Guitar Championships, before moving onto the world finals in Finland.





Sara Pollack, Entertainment Marketing Manager, recently watched "Socalled - (Rock the) Belz"

Sunday, March 14, 2010

Worth a Sub: Michael Grecco's New YouTube Channel



Celebrity / Nekkid People photographer Michael Grecco has created a YouTube page to display his many excellent behind-the-scenes videos.

Some of you may not know that he started out as a photojournalist, and began pushing the lighting envelope way back in the very beginning of his career.

The Will Farrell shoot (c. Blades of Glory) embedded above is a great example of why I always enjoy Grecco's time-lapse BTS vids. There's a lot to learn in a minute and change. Not only is he showing you the whole set build, shoot and tear, but there are several cool lighting info nuggets to be had.

Hit the jump for a some of the things you can learn from this video, a second vid and links to more.
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Friday, March 12, 2010

Indian Premier League bowls wicked googly* to the world on YouTube

When the first ball of this year’s Indian Premier League cricket season is bowled, fans across the planet will have a front row seat in the world’s biggest online sports stadium. Tonight the Deccan Chargers and Kolkata Knight Riders will face off in Mumbai at 8 p.m. IST, and the YouTube global community will be able to tune in to the IPL’s YouTube Channel (www.youtube.com/ipl) for streaming and on-demand access to witness the start of what promises to be one of the most widely-distributed sporting events in history. Fans can watch matches, highlight videos, player interviews and much more all on the IPL’s YouTube Channel.


Named by Forbes as the "hottest sports league in the world" with revenues comparable to the world’s most popular leagues, the IPL season is a 60-match, 43-day tournament that features some of the best talent in cricket today. You can come to YouTube and keep up with the action any time, anywhere, and connect with fans across the globe. Watch as the match happens, or if you missed a match, tune in later to see what happened. The entire season will be streamed around the world on YouTube, except in the U.S., where matches will be time-delayed and made available 15 minutes after the match ends.

On the IPL Channel, you’ll see three tabs:
  • Today’s Matches: This is where you can watch streamed matches as they happen. (Note that the stream will be delayed by a few minutes.) Click through at any time to see the match scorecard.
  • Recent Matches: Catch up any time on the full action of matches that have already happened. Watch Sachin cream the ball through the covers, Warney taking his latest wicket and more.
  • Highlights: If you’re short on time, check in here for short videos of player interviews, match highlights, greatest plays, and more.
And for all of you who want to cheer or commiserate with others, check out our Twitter gadget on the channel page to be part of the conversation. You can keep up with the discussion on Twitter with the YouTube IPL hashtag (#youtube_ipl). Share, rate and comment on videos throughout the channel, or upload your own video responses to the action. There's also a link so you can join the Official DLF IPL community on Orkut (www.orkut.com/ipl).

We'll be watching the donkey drops, the five-fers, the flippers and floaters, the half-yorkers and slow sweeps — and cheering alongside you!

Amit Agrawal, Strategic Partner Development Manager

* A googly is a kind of pitch similar to a baseball pitch or a bowling throw in the game cricket; a wicked googly would be a really good pitch.

Recognizing courage, securing online freedom

Cross-posted on the Official Google Blog 

More than ever, governments around the world are threatening online free expression. Forty countries have taken measures to limit this freedom, up from only a handful a few years ago. YouTube services are or have been blocked in 25 of those nations.

On Thursday night in Paris, we took an important step to highlight this crucial issue by sponsoring the first Netizen Prize (or more elegantly, Le Prix du "net-citoyen") awarded by the Paris-based advocacy group Reporters Without Borders. And on Friday, March 12, we’ll be helping highlight the fight for Internet freedom by marking the group’s World Day Against Cyber Censorship on YouTube.

Fittingly, Reporters Without Borders chose to give the first Netizen Prize to the Iranian creators of the website Change for Equality, first established in 2006 to fight for changes in laws in Tehran that discriminate against women. That site has since become a well-known source of information on women’s rights in Iran, documenting arrests of women activists and becoming a rallying point for opponents of the regime.

Over the past year those leaders in Tehran have distinguished themselves — and earned the opprobrium of people all over the world — for their brutal crackdown on the rights of its critics to question their rule. Last year's killing of unarmed Neda Agha-Soltan during post-election protests in Tehran, seen around the world on amateur video, has become a symbol of the regime's ferocity — and the power of the Internet to reveal what governments do not want the world to see.

At the award ceremony in our Paris office, Google's Senior Vice President David Drummond said that we are at a critical point in the future of the Internet: "All of us have a choice. We can allow repressive policies to take flight and spread across the globe, or we can work together against such challenges and uphold the fundamental human right to free expression.”

David went on to praise the role of NGOs like Reporters Without Borders, the Obama Administration’s commitment to the promotion of Internet freedom and the efforts of all groups that have joined the Global Network Initiative. Under the initiative, major U.S. Internet companies, human rights group, socially responsive investors and academic institutions agreed to guidelines promoting free expression and protecting the privacy of their users around the world. “In the spirit of the undiplomatic American come to European shores," he said, "let me make a plea for European governments, companies and groups to rise to the occasion. Any effort that is limited to the United States is bound to fall far short of its global potential.”

Robert Boorstin, Director of Public Policy, Google, recently watched “Tiananmen: 20 Years.”

Wednesday, March 10, 2010

Q&A: How to Use Your Nikon SB-900 in Optical Slave Mode

As most of you know, the discontinued Nikon SB-800 speedlight has an awesome -- yet, oddly undocumented -- built-in slave. But given the questions I have gotten recently, many people who own the newer SB-900s are not aware that their flash has the same capability.

A walk-thru on how to access and use the built-in slave in your Nikon SB-900 speedlight, and how to get better results from any slave outdoors, inside. Read more »

Monday, March 8, 2010

Speedlights at Twenty Paces

UPDATE: We got video now, at the bottom of the post.
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DUBAI, UAE, MARCH 08, 2010 -- Wrapping up in Dubai and getting ready to head over to Muscat in Oman for some much-anticipated R&R.

Those of you who follow Strobist on Twitter knew that Saturday was a big day for me. After teaching at Gulf Photo Plus all week, Saturday night was the big shootout against Zack "OneLight" Arias and Joey "Not That Guy from Blossom" Lawrence.

My shootout results, and what it's like to walk into the belly of hell, inside. Read more »

Wednesday, March 3, 2010

QOTD: Do You Co-op Gear?

I am gonna turn it around to you guys with a question today: Is anyone participating in a formal (or informal) gear co-op program?

It seems like a logical choice as a compromise for gear you cannot rationalize owning.

Obviously, renting is an option for those who live in NYC or LA (and, increasingly, secondary markets). But it seems to me that the idea could easily be applicable to lighting gear. For instance, a group of weekend enthusiasts or a camera club could pool money for a monobloc kit.

There have always been informal arrangements between photogs in a given local area for spotting each other little-used gear. It's a lifesaver -- especially on assignments that require extra equipment. And some photographers even rent the stuff to other shooters, the cost of which is usually passed onto the client.

Personally, I have been jonesing for a Phase One back on a medium format body. But I cannot rationalize the cost.

Okay, let me rephrase that. I cannot rationalize the cost to my wife. I can rationalize anything to myself.

At The Sun, we had a pool of gear that was available to be used when needed by the staffers. Just seems to me that there must be civilian versions of this. And I'll bet someone reading this site has done it.

Hit us in the comments.

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